Publicada em: 20/03/2018 às 09:08 |
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Rastros no documentário contemporâneo
Palavras-chave Through a dialog from the pictures 24 City (2008), directed by Jia Zhangke, and A Cidade é uma só (2011), by Adirley Queirós, the present article investigate some tensions between the aesthetic and the politic on contemporary documentary. Key-words: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Rastros no documentário contemporâneo |
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