Publicada em: 22/03/2017 às 09:27 |
||||||
Jean Baudrillard e Pedro Almodóvar: Simulacros e Simulações de um número musical: Uma análise de Un año de amor, no filme De Salto Alto (1991)
Palavras-chave This paper aims to show the enactement of the musical number Un año de amor Pedro Almodóvar’s film High Heels (Spain, 1991) as a narrative element that acts directly. The musical number configures a discourse that brings from other forms of art - such as music, singing, and dancing - elements that work in the construction of the characters’ identities, putting them in a constant state of revelations and (re)constructions of values. In this sense, the paper analyzes a theatrical arrangement of interpersonal relations, an exchange of information, which corresponds to Jean Baudrillard’s perspective on the identity of contemporary man: the dialectic between Simulacra and Simulations. Key-words: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Jean Baudrillard e Pedro Almodóvar |
||||||